Roster
A compact social-proof strip: a small "trusted by" heading above one centered, wrapping row of monochrome logos.
A logo section is social proof compressed into one row: the companies that already trust you, recognised faster than any sentence about them could be read.
Each one below is a live preview rendering in your current design language, not a screenshot. Open any of them to see it full-width, switch the business type to read it with your kind of content, or add it to a page.
A compact social-proof strip: a small "trusted by" heading above one centered, wrapping row of monochrome logos.
A bordered logo grid — four columns of cells sharing fine dividers inside one rounded box.
A large aggregate figure on the left completing a headline, beside a three-column cluster of logo cards.
A continuous marquee of logos scrolling left beneath a muted eyebrow, with no scripting.
A single row of logos separated by fine vertical rules — an even, divided proof band.
The logo wall inside one elevated panel, each mark stacked over its wordmark.
A split proof block: a heading and supporting line on the left, a three-column grid of logos on the right.
Each logo on its own elevated card, the whole card shifting to the brand colour on hover.
The most space-efficient strip: a "trusted by" label sitting inline with a flowing row of logos on one line.
Two centered rows of logos, the names split evenly across them — tidy when there are more than fit one line.
A tinted proof strip with the eyebrow and logo row set on a soft branded band, apart from the page.
A proof wall with a hero: the first logo featured on a prominent card beside a grid of the rest.
A simple row works when the logos are well known and speak for themselves. A bordered grid brings order to a larger or more mismatched set. If your strongest proof is a number — customers, countries, transactions — a split layout pairs that figure with the marks and gives the section something to say beyond the logos themselves.
Five to eight in a row, or up to twelve in a grid. The aim is instant recognition, not completeness — a shorter row of names people know beats a long row of names they do not.
Usually yes. Many companies have brand guidelines covering how their mark may be used by others, and some contracts address it directly. Worth checking before a logo goes on a public page.
Muting them keeps the row visually calm and stops one bright brand colour from dominating, and colouring them on hover is a common compromise. The trade-off is a small loss of recognition, since people identify brands partly by colour.